Now that I am aware on what the type of imagery I am to produce looks like, I shall be going out again on a bright day with a speed light to create some more environmental portraits of Gabriel the Longboarder again. I shall be asking her to look into the camera more, and, instead of being on her board, she will be asked to stand proudly.
I will be going on a day when there is less people and more intense sunlight. I will be using the speed light more to compensate for the hard shadows the sun will create.
I am taking influence from Jonathan Bielaski’s work and ensuring almost every image has eye contact with the camera.
Though the candid shots work, I aim to make these a little more staged in terms of how my subject is placed and positioned in the shot. This coupled with the eye contact should hopefully result in some well composed environmental images.
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- Year 1
- BACP103 Editorial
- Part 1
- Editorial BACP103 Notes
- Mood Page Editorial
- Sight Unseen – Lynsey Addario
- 2 Photo Essays
- Photographic Narrative
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- My Photo Essay Idea
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- First Shoot Plan
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- About Mike Offen
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- Deciding my 6 Final Images
- My Final 6
- Final Evaluation
- Part 2
- Initial Thoughts
- Eve Arnold
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- Gavin Bond
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- Part 1
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- Part 1
- BACP102 Fashion
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- BCOP100 Context of Practice
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- Debate Task
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- Creating an AOP account
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- Tony Cobley
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- Keith Riley Email
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- Steven Bancroft – Visiting Photographer
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- Ian Derry – 2nd Email
- Response from National Geographic
- Third Work Experience
- Stock and Rights Managed Notes
- Ram Shergill Notes
- Stephanie Sinclare Email
- Kirstin Jarvis Head Shots
- Trevor Burrows Organising an Interview
- Interview with Trevor Burrows
- Emily Tyson Head Shots
- Photographing Portfolio Review
- Creative CV
- 5 Year Plan
- Evaluation of Work Experience
- Lecture Notes & Visiting Lectures
- BAIS300 Interdisciplinary
- BACP103 Editorial
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